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Challenging previous studies that claim anxiety and antagonism between transatlantic Victorian authors, Jennifer Cognard-Black uncovers a model of reciprocal influence among three of the most popular women writers of the era. Combining analyses of personal correspondence and print culture with close readings of key narratives, this study presents an original history of transatlantic authorship that examines how these writers invented a collaborative aesthetics both within and against the dominant discourse of professionalism.
- Sales Rank: #2797791 in Books
- Published on: 2004-03-02
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .50" l, .97 pounds
- Binding: Hardcover
- 232 pages
Review
"Cognard-Black's study engages and extends transatlantic studies in significant ways. She resists the 'antagonist thesis'. . .that nineteenth-century American writers felt a sense of inferiority to their British counterparts, suffering a sort of Bloomian 'anxiety of influence.' Cognard-Black argues instead that the transatlantic relationships of Stowe, Eliot, and Phelps were not simply examples of British influence on American writers. . . , but demonstrate literary collaboration and interdependence."
--Whitney Womack Smith
Nineteenth-Century Gender Studies (2009)
About the Author
Jennifer Cognard-Black is Professor of English at St. Mary's College of Maryland, where she teaches women writers, the novel, feminist literary theory, fiction writing, and the literatures of food.
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