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First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
- Sales Rank: #2181598 in Books
- Published on: 2005-11-15
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .94" w x 5.98" l, 1.49 pounds
- Binding: Hardcover
- 406 pages
Review
"An excellent and much-needed contribution to the literature of American popular song."
-Phil Furia, University of North Carolina, author of "The Poets of Tin Pan Alley.
About the Author
David Jenness has performed as a pianist and singer, has been a music critic, and was president of the Kodaly Institute. As a historian of education, he is the author of Making Sense of Social Studies, among other works. He lives in Santa Fe, New Mexico.
Donald Velsey is an architect by profession, and an amateur music historian. Beginning as a student at Yale and continuing thereafter, he has collected over 4000 American popular songs, many of them unpublished. He lives in Washington, DC.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Excellent
By Tetsuo Kishi
The book which is a kind of a sequel to an epochmaking book by Alec Wilder is simply indispensable to anyone who is interested in the field. It is both intelligent and entertaining, as a book on popular music should be. Highly recommended.
10 of 13 people found the following review helpful.
It's OK
By mr valentine
Don't expect anything like Alec Wilder's AMERICAN POPULAR SONG, that's the first recommendation I'd make to you. The second is read sparingly, and disregard a lot of the analysis - it's often tedious. Oh, and do be prepared for an affront or two. Naturally we all have our different tastes but might we not worry a little about the book's sensibility when Burt Bacharach's work is dismissed in little under a page, Paul Simon barely rates a mention, and the achievement of Lerner & Loewe is judged to be stylistically "dead-end"?
Perhaps on the brighter side, this book has a sobering, generally right-headed approach to the subject. With a much greater range and a larger sweep than Wilder, the authors seem sure of themselves. But they don't write a twentieth as well, and it's something of a shame because style of expression is probably the greatest pleasure to be had from works like this. Wilder's uncommon elan and his tailored offhandedness make many pages in his great work sparkle. One could never say the same about this book, I'm afraid. The prose is wooden and the diction, especially the adjectival range, too restricted. I hope never to read "blithe" as a description for a song again.
4 of 5 people found the following review helpful.
A college-level survey of what happened to American popular music post 1950
By Midwest Book Review
Classic American Popular Song: The Second Half-century, 1950-2000 is a college-level survey of what happened to American popular music post 1950: it continues the story of classic songwriters from Porter and Rodgers to Johnny Mercer and Fred Kander, exploring the ongoing (and sometimes surprising) popularity of their works over the decades and considering both the quality of pop song after 1950 and the efforts of writers who worked in an established yet fading musical style. From traditions maintained in popular song to the evolution of American song styles, colleges will find this a fine addition.
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