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On the Strange Place of Religion in Contemporary Art, by James Elkins
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Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief?
On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.
- Sales Rank: #288191 in Books
- Published on: 2004-09-06
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .41" w x 6.04" l, .58 pounds
- Binding: Paperback
- 148 pages
Review
"For those searching for a way to broach the intriguing and complicated topic of religion in relation to cintemporary art, this book provides much to talk about..." --The Journal of Religion
About the Author
James Elkins is Professor of Art History, Theory and Criticism at the School of the Art Institute of Chicago, and Chair of Art History at University College, Cork, Ireland. Among his books are Pictures and Tears, Visual Studies: a Skeptical Introduction, What Painting Is, Stories of Art, and How to Use Your Eyes, all published by Routledge.
Most helpful customer reviews
15 of 20 people found the following review helpful.
Recommended for art critics and art history students
By Midwest Book Review
James Elkins (Professor of Art History and Theory at the School of the Art Institute in Chicago), presents On The Strange Place Of Religion In Contemporary Art, an in-depth exploration of the complex dilemma of the modern artist concerning to what extent his art should reflect his faith. Even as art historians separate art from spirituality, the long history of art has been intertwined since long, long before the Renaissance. On The Strange Place Of Religion In Contemporary Art explores the dichotomy through the stories of five individuals, and turns over key terms and ideas scholars express when analyzing religious themes and motifs found in the art world. Highly recommended reading especially for art critics and art history students, seeking to better understand both their knowledge base and their descriptive vocabulary of the great works they view.
11 of 16 people found the following review helpful.
Skewed view, at best
By M. Baldwin
Read this book with care! I recently took a class on religion in contemporary art. In the class, we used Elkins' book as duscussion fodder, and the general consensus was that the author's already rigidly formed ideas about the ideal placement of spirituality in contemporary art informed every story and it's explanation. Note the use of the word "spirituality" rather than "religion" in the above statement. Like most modern authors, Elkins confuses the definition of the two. This is a book about SPIRITUALITY in art, not religious influence or flavor. On the whole, the five stories contained within its pages are interesting illustrations of varying artists' methods and meanings, but in the last half of the book (where Elkins deconstructs each story from a decidedly skewed point of view) I found the explanations trite and tedious, and somewhat forced into the broader spectrum of art history. In short, read the book if you will, but read with care.
0 of 0 people found the following review helpful.
Five Stars
By Eliza
Helpful discussion of a subject not often addressed.
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