Kamis, 30 April 2015

@ Ebook Handbook of Violence Risk Assessment (International Perspectives on Forensic Mental Health)From Routledge

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Handbook of Violence Risk Assessment (International Perspectives on Forensic Mental Health)From Routledge

This comprehensive Handbook of original chapters serves as a resource for clinicians and researchers alike. Two introductory chapters cover general issues in violence risk assessment, while the remainder of the book offers a comprehensive discussion of specific risk assessment measures.

Forensic psychology practitioners, mental health professionals who deal with the criminal justice system, and legal professionals working with violent offenders will find the Handbook of Violence Risk Assessment to be the primary reference for the field.

  • Sales Rank: #758681 in Books
  • Published on: 2009-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.10" h x .90" w x 7.20" l, 1.66 pounds
  • Binding: Hardcover
  • 326 pages

Review

"This is an important topic that is not covered comprehensively elsewhere. I would buy the book both for myself and for my school’s library." - Rebecca Jackson, Director of Forensic Psychology Program, Pacific Graduate School of Psychology, USA

"This Handbook is the ultimate ‘tool box’ for all clinicians, researchers and trainees involved in violence risk assessment. Each instrument’s review is authoritative, balanced, and comprehensive, yet concise. It is likely to be this topic’s best sourcebook for the next decade." -Thomas Grisso, PhD, Director of the Law-Psychiatry Program at the University of Massachusetts Medical School; author of Evaluating Competencies―Forensic Assessments and Instruments

"An eminently useful compendium of information about the major violence risk assessment tools. Just the sort of book that every mental health professional should have readily at hand." -Paul S. Appelbaum, MD, Dollard Professor of Psychiatry, Medicine, and Law, Columbia University

"In the Handbook of Violence Risk Assessment, developers of all major measures now available present thorough reviews of the assessment methods they helped create. If you want an accurate, comprehensive, up-to-date explanation of risk assessment instruments and how they work, get this book." -Douglas Mossman, MD, University of Cincinnati College of Law and Medicine

"Otto and Douglas have done an excellent job of bringing together chapters by the leaders in this expanding field. A well-edited and authoritative overview of risk assessment, certainly of great use to psychologists and of great interest to social scientists and members of the legal community." - Richard Ortega, PhD., in PsycCRITIQUES, October 2010

"Handbook of Violence Risk Assessment is a no-nonsense, down-to-business compendium of the most widely researched and applied violence risk assessment tools in current usage.This is not light reading, but what saves the book from being a bone-dry expository slog is the presence of illuminating case studies for each topic that puts practical flesh on the theoretical skeletons by showing how these instruments can be used in the everyday real world of clinical-forensic practice. The editors do a fair job of...focus[ing] on the task of providing clinical-forensic practitioners with what they need to know to make their choice of violence risk assessment instrument for their particular populations and settings." -Laurence Miller, PhD, International Journal of Emergency Mental Health

"[This book] provides a comprehensive background to methods of assessing the risk of violence in potentially criminal populations. As there is currently no shortage of risk assessment instruments for professionals to choose from, this handbook of particularly useful in that it first provides an overview of the current research on risk assessment in a general context, and then concentrates on reviewing the most commonly used violence risk assessment tools. This text is therefore likely to be useful for students and trainees studying risk assessment in forensic populations in most countries and is likely to be an invaluable resource to any clinical, legal or correctional staff seeking background information on established risk assessment tools." - Jessica Szabo, King's College London, Institute of Psychiatry, in Journal of Mental Health

About the Author

Randy K. Otto, PhD, ABPP, is an associate professor in the Department of Mental Health Law & Policy at the University of South Florida in Tampa and an adjunct faculty member at Stetson University College of Law in St. Petersburg. He has served as President of the American Psychology-Law Society and the American Board of Forensic Psychology, and currently chairs the committee revising the Specialty Guidelines for Forensic Psychologists. He is a fellow of the American Psychological Association and, in 2008, he received an award for distinguished career contributions to forensic psychology from the American Academy of Forensic Psychology.

Kevin S. Douglas, Ph.D., LL.B., is on the psychology faculty at Simon Fraser University. He is a co-author of the HCR-20 (along with Christopher Webster, Stephen Hart, and Derek Eaves), one of the most widely used violence risk assessment tools. He is the 2006 recipient of the Saleem Shah Award for Early Career Achievement sponsored by the American Academy of Forensic Psychology and the American Psychology-Law Society.

Most helpful customer reviews

8 of 9 people found the following review helpful.
An essential resource
By Karen Franklin
Best practices for violence risk assessment change from second to second. So, publishing a sourcebook on the topic is a bit like trying to capture and hold a hummingbird. Still, the authorship and range of content here may make this an authoritative resource for at least a minute or two - and then they can publish a second edition.

The volume's first editor, Randy Otto, is a leading forensic psychology scholar. An award-winning professor in the Department of Mental Health Law and Policy, he is past president of both the American Psychology-Law Society and the American Board of Forensic Psychology. He also chairs the Committee to Revise the Specialty Guidelines for Forensic Psychology, and he is co-author of the third edition of the widely consulted text, Psychological Evaluations for the Courts. Co-editor Kevin Douglas is a former colleague of Otto's at the Department of Mental Health Law and Policy.

The book begins with an overview chapter by respected forensic scholar Kirk Heilbrun. Remaining chapters - most written by leading practitioners and instrument developers -- review specific instruments for assessing both adult and juvenile risk for violence, including sexual violence.

Tools reviewed include: EARL-20B and EARL-21G, SAVRY, Youth Level of Service/Case Management Inventory, VRAG, SORAG, Violence Risk Scale, HCR-20, Classification of Violence Risk, Level of Service Inventory, Spousal Assault Risk Assessment Guide, Static-99, SVR-20, RSVP and others.

I am impressed with what I have read so far. John Monahan wrote the chapter on the Classification of Violence Risk. David DeMatteo, John Edens, and Allison Hart have a nice chapter on the utility - and limitations - of using psychopathy measures to address violence risk. And Stephen Hart and Douglas Boer provide an up-to-the-minute summary of reliability and validity studies on the SVR-20 and a parallel instrument for assessing sex offender risk, the Risk for Sexual Violence Protocol (RSVP), which I predict may overtake the Static-99 at some point, given the latter's present instability and atheoretical basis.

1 of 2 people found the following review helpful.
Who's Dangerous? How Do We Know?
By Laurence Miller, PhD, International Journal of Emergency Mental Health
One of the challenges facing mental health clinicians and criminal justice professionals alike is how to deal with patients who are potentially violent or who have histories of violence. This has important implications for defendants charged, arrested, tried, sentenced, incarcerated, and eventually released, who may pose a danger to the community. Traditionally, psychiatric and psychological evaluators have relied on their knowledge and clinical experience to assess defendants for violence risk. However, over the past three decades, the accuracy of expert clinical judgment has been called into question and attempts have been made to develop reliable, valid, and accurate measures of violence risk. Many such structured clinical interviews and rating scales have appeared over the years; the problem has been how to find them all in one place. Here they are - most of them, anyway.
Handbook of Violence Risk Assessment is a no-nonsense, down-to-business compendium of the most widely researched and applied violence risk assessment tools in current usage. Two introductory chapters provide an overview of violence risk assessment instruments and their application to different offender types, especially the psychopath. Subsequent chapters describe the use of these kinds of evaluative instruments for both adult and juvenile offenders. This is not light reading, but what saves the book from being a bone-dry expository slog is the presence of illuminating case studies for each topic that puts practical flesh on the theoretical skeletons by showing how these instruments can be used in the everyday real world of clinical-forensic practice.
Yes, there's a certain degree of salesmanship here, as each chapter author expounds on the virtues of his or her favorite - and in many cases, proprietary - assessment tool. However, the editors do a fair job of keeping the presentation objective and focused on the task of providing clinical-forensic practitioners with what they need to know to make their choice of violence risk assessment instrument for their particular populations and settings.
- Laurence Miller, PhD, International Journal of Emergency Mental Health

0 of 1 people found the following review helpful.
ATAP resource
By John L. Padgett
Required for ATAP certification

See all 3 customer reviews...

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~~ Download PDF Re-Enchantment (The Art Seminar)From Routledge

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Re-Enchantment (The Art Seminar)From Routledge

The near-absence of religion from contemporary discourse on art is one of the most fundamental issues in postmodernism. Artists critical of religion can find voices in the art world, but religion itself, including spirituality, is taken to be excluded by the very project of modernism. The sublime, "re-enchantment" (as in Weber), and the aura (as in Benjamin) have been used to smuggle religious concepts back into academic writing, but there is still no direct communication between "religionists" and scholars. Re-Enchantment, volume 7 in The Art Seminar Series, will be the first book to bridge that gap.

The volume will include an introduction and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on religion and art including Boris Groys, James Elkins, Thierry de Duve, David Morgan, Norman Girardot, Sally Promey, Brent Plate, and Christopher Pinney.

  • Sales Rank: #1612149 in Books
  • Published on: 2008-10-08
  • Released on: 2007-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .76" w x 6.00" l, .85 pounds
  • Binding: Paperback
  • 336 pages

Review
'Any student or professional seeking to work as a lighting designer in theater or dance should read this book. I've been using this book since the first edition, as it's a wonderful tool for education. This book goes into the details behind the creation of a lighting design. The knowledge you gain by studying this text will free you to create art with your lighting, instead of being caught up in the mundane tasks required to execute a design.' Stephen Ellison, Lighting Systems Design Consultant 'Steven L Shelley has done it again. After reading the second edition of "A Practical Guide to Stage Lighting" (the only one of its kind), I didn't think there was anything else to say about technically creating a lighting design. Mr. Shelley has done it! He found more information and better and clearer ways to communicate his ideas. The added graphics help the reader to understand the writing, and they alone are worth the price of the book. He's gone into more depth -- when the reader is finished, they have a greater and clearer understanding of the process involved in creating a lighting design. They'll also have an easier time working through the process than anyone did before this book was written. The time Shelley spends with his own stories helps the reader understand why things are done a certain way. They make the reader understand he's a professional and not just someone who is writing a textbook for tenure. Overall, the third edition of "A Practical Guide to Stage Lighting" is a book that anyone interested in the process of lighting design must have on their bookshelf.' David Griffith, Educator and professional lighting designer '...the book presents further value in the latest incarnation. However, be warned...the sheer volume of professional gold within is more than one person can shovel in a sitting...This book could be subtitled "Everything Mr Shelley has ever experienced and thought about lighting in his long and illustrious career."...the whole book is an avalanche of practical advice, notes, tips, pro tips, detail, So much detail. This is the value right here, folks.' Rob Sayer, On Stage Lighting 'The beauty of A Practical Guide to Stage Lighting has always been that it takes the designer and brings them down to the nitty gritty. The wonder of the third edition is that you now have expanded resources to communicate not only to the beginning lighting student, but to the 201, 301, and 401 levels as well. I have students that carry this book through multiple levels of courses and by the end come out with an understanding that is unmatched in terms of executing a comprehensive design from top to bottom. The expanded sections help clarify complicated concepts seamlessly. I require this text in all of my lighting classes and the students get so excited to go to conferences and meet "the REAL STEVE SHELLEY" in person. He's like a super-star to them and this insightful textbook is the reason.' Ruth Hutson 'Several months ago, I received a call from a university student wanting advice on a career in stage lighting...We discussed approaches to design and useful software, but when she asked what she should read to learn more, I recommended Steve Shelley's A Practical Guide to Stage Lighting, second edition. It was the best book I knew about how to light the stage and earn a living as a lighting designer. Now there is a better book: A Practical Guide to Stage Lighting, third edition...I would recommend it for any instructor teaching stage lighting at any level. There is a lot in this book that can stimulate thoughts about what a lighting design should be, how one goes about practically realizing a design, and about working as part of an artistic team in a venture that has to fit a budget...it would be a great gift any time of the year, whether for an ambitious student or for yourself.' Karl G. Ruling, Protocol 'The scope and breadth of the A Practical Guide to Stage Lighting, Third Edition make it equally useful for the emerging young designer needing reference material, the experienced professional looking for new perspectives, and the seasoned designer looking for new tips, reminders of shortcuts, or inspiration to be a little more organized and prepared for the task at hand. The examples of plots, sections, paperwork, cue masters, magic sheets, focus charts, and working drawings are excellent resources. The updates and expansions make A Practical Guide to Stage Lighting, Third Edition a valuable addition to your theatre library, even if you have a previous version of the book.' Ellen E. Jones, Lighting & Sound America "A Practical Guide to Stage Lighting (Third Edition), by Steven Louis Shelley, has long been a standard text and reference on preparing lighting designs and creating the paperwork needed to mount a production. In the latest edition, Shelly...zeroes in on communication skills, adding ideas (and checklists) for efficient and productive meetings with both management and creative teams. Also new are 'Shelley's Periodic Table of Fundamental Lighting Systems, ' plus ground plans, sections and front elevations that demonstrate basic system wash configurations for each direction of light. Particularly useful is his explanation of a manufacturer's information sheet and how to determine the beam size, foot candles and gel transmission for various lighting instruments." Stephen Peithman, Stage Directions

About the Author

 James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is the author of Pictures and Tears, How to Use Your Eyes, What Painting Is, The Strange Place of Religion in Contemporary Art, and Master Narratives and their Discontents, all published by Routledge; and Six Stories from the End of Representation, published by Stanford University Press.

 David Morgan is Professor of Religion at Duke University, and author of several books, including Visual Piety, The Sacred Gaze, and The Lure of Images (Routledge). He is co-founder and co-editor of the journal Material Religion.

Most helpful customer reviews

0 of 3 people found the following review helpful.
Five Stars
By ANTONIO CARLOS PORTELA
book in excelente conditions

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Sabtu, 25 April 2015

? Download Acoustic Blues Guitar Styles, by Larry Sandberg

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Acoustic Blues Guitar Styles, by Larry Sandberg

Acoustic Blues Guitar Styles is an introduction to fingerstyle acoustic blues guitar, the style made popular by Robert Johnson, Bill Broonzy, and Mance Lipscomb. Following the success of the popular Acoustic Guitar Styles, Larry Sandberg’s Acoustic Blues Guitar Styles is an instructional book geared towards the intermediate guitar player, not only to teach fingerstyle blues technique, but also to approach the music creatively and with feeling and rhythm.

Part One teaches you the preliminaries, such as reading a chord chart and working out a 12-bar blues in different keys. Part Two teaches you touch, timing, and basic fingerpicking technique. Part Three teaches you how to play stylistically, with lessons on how to incorporate bends, vibrato, alternating bassnotes, and rhythmic variations into your playing. All musical exercises are presented in both standard notation and tablature, and are supported by audio tracks.

Customers purchasing the eBook version of this title will be able to download the supporting audio tracks.  Instructions on downloading the files can be found on the contents page.

  • Sales Rank: #677201 in Books
  • Published on: 2006-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.25" w x .50" l, .59 pounds
  • Binding: Paperback
  • 76 pages

About the Author
Larry Sandberg has taught guitar for over 40 years; he currently teaches at the Denver Folklore Center, University of Colorado extension school, and privately. He is the author of several best-selling guitar books, including The Acoustic Guitar Guide and Acoustic Guitar Styles.

Most helpful customer reviews

5 of 5 people found the following review helpful.
really good in terms of overall theory
By Thomas Wheeler
I liked this author's Acoustic Guitar Styles book so much, I had to get this one. I'm about 1/3 of the way through, and so far its very good. He's really thorough, and sometimes it moves a little slow. I find I need to move through it pretty quickly because I want to get to some exciting stuff. But I appreciate the clear writing and explanations of the theory behind the musical ideas.

It's definitely worth getting - but it will take some discipline to go through it. He doesn't just throw Blues riffs and turn arounds at you - as in many other blues books. He really is about helping the reader completely learn the styles and structure - and how to build on it. He's definitely helping me improve.

1 of 1 people found the following review helpful.
ChasinWV
By Mr. Charles J. Crooks
The book pursues a worthy idea: learn acoustic blues with a finger-picking style of play. Curiously, the instructional CD was blank. Amazon replaced it and the replacement was blank as well. First time I've seen this sort of thing. I hope Amazon notifies the publisher.

3 of 3 people found the following review helpful.
great book; CD in wrong format
By G. Withers
I had problems with the CD, until I put it in my computer. It turns out that all the files are in .aif format, which my computer will play, but my cd player doesn't recognize.

I thought the book was great. I felt that the way it progressed from one lesson/track to the next was really helpful.

Some things you can learn from this book:
- Basic blues progressions, in several keys
- Various chord voicings (eg different ways of playing A7, E7, in multiple positions and within same position)
- intro to movable chord shapes.
- Various rhythmic patterns

This books is a great way to break away from the typically boring material contained in most beginner guitar books. This would be a good "second book" (or third...) for someone learning guitar. By playing music you like, I think you'll advance your skills more quickly.

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Jumat, 24 April 2015

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Charles Lamb: Selected Writings (Fyfield Books), by Charles Lamb

Charles Lamb (1775-1834), essayist, poet, humorist, critic and letter-writer, has an enduring reputation for his early "Tales from Shakespeare" (1807), written in collaboration with his sister Mary, and his " Essays of Elia," first published in the "London Magazine." This thematic selection of Lamb's writings - essays, dramatic criticism, verse and letters - not only demonstrates his literary achievements; it forms a self-portrait of the writer: generous, amused, and gregarious, finding imaginative escape from grim circumstances in the teeming life of London and the theatre. The reader is drawn into the circle of Lamb's friends, enjoying the company of the most personal of English essayists. J.E. Morpurgo's introduction and notes set Lamb's writings in their contemporary context.

  • Sales Rank: #2063739 in Books
  • Published on: 2003-11-20
  • Released on: 2003-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .73" w x 5.43" l, .93 pounds
  • Binding: Paperback
  • 322 pages

About the Author
Charles Lamb (1775a1834) is an English essayist best known for his "Tales from Shakespeare," which he produced with his sister, Mary Lamb (1764a1847).
Marina Warner is a prizewinning author of fiction, criticism, and history.

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0 of 3 people found the following review helpful.
Interesting, but a difficult slog
By Stephen Thompson
I guess I thought this would be better than it was. A few of the essays are readable. The ones on London are very good. The letters are interesting. I don't care much at all about the literary criticism. It's mostly an interesting introduction to life in London during the early 1800's. He wrote a really scathing poem attacking the Prince Regent. The Prince Regent, however, found time to read Jane Austen. Evidently, Charles Lamb couldn't be bothered.

1 of 1 people found the following review helpful.
A Nice Collection for Lamb Fans!
By CollegeSTudent
Charles Lamb was a superb essayist and letter writer. Despite a tragic life, his prose reflect a genuine man of grace, charm, optimism, and good humor. This volume collects several of his finest works (Dream-Children; A Reverie, The Old Familiar Faces, Superannuated Man, etc.) as well as several of his letters. As someone who was interested in reading more of Lamb's work I thoroughly enjoyed this.

15 of 22 people found the following review helpful.
Charles Lamb
By Laura Anne Neufarth
I brought this book to read after reading the book THE GUERNESY LITERARY AND POTATO PEEL PIE SOCIETY by Mary Ann Shafer and Annie Barrows, which is a GREAT book. I found Charles Lamb to be a good read.

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Kamis, 23 April 2015

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Trauma, Culture, and Metaphor: Pathways of Transformation and Integration (Psychosocial Stress Series), by John P. Wilson, Jacob D. Lindy

In Trauma, Culture, and Metaphor, John Wilson and Jacob Lindy explore the language of both individual and collective trauma in an era dominated by globalization and interconnectedness. Through lucid, careful discussion, this important book builds a bridge between the etymology of trauma-related terms commonly used in Western cultures and those of other cultures, such as the Burundi-Rwandan ihahamuka. It also provides the clinician with a framework for working with trauma survivors using a cross-cultural vocabulary―one often based in metaphor―to fully address the experienced trauma and to begin work on reconnection and self-reinvention.

  • Sales Rank: #2843916 in Books
  • Brand: Brand: Routledge
  • Published on: 2013-06-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 5.90" l, .70 pounds
  • Binding: Paperback
  • 232 pages
Features
  • Used Book in Good Condition

Review

"This book examines how psychic trauma is expressed through 'verbalized linguistic metaphors'. One central premise of this book is that traumatic experiences, in their totality, transcend direct communication. Instead, individuals express themselves through the use of unique metaphors that represent their experiences and characterize the process of recovery from posttraumatic stress symptoms. Wilson and Lindy combine their clinical expertise and theoretical knowledge to present an argument that has both historical and contemporary relevance. Summing Up: Recommended."

―A.N. Douglas, Mount Holyoke College, in CHOICE, June 2014

"Trauma, Culture, and Metaphor is a clinical jewel. In it, clinicians, policy makers, and public-health advocates can view the transformations of individuals and societies as they come to process and master trauma. To my knowledge, there isn’t a text like it; trainees and experienced professionals alike will benefit from the wisdom contained herein."

―Terence M. Keane, PhD, director of the behavioral science division of the National Center for PTSD

"At times of reductionism and mechanicism in psychology and psychiatry, Wilson and Lindy point out the importance of truly understanding a trauma survivor. They teach us how to listen to trauma stories in patient, empathic, passionate, knowledgeable, and culturally sensitive ways. Yet again, a great volume from this creative duo!"

―Boris Drožđek, MD, psychiatrist, Psychotrauma Centrum Zuid Nederland/Reinier van Arkel groep, Den Bosch, The Netherlands

"Wilson and Lindy's remarkably comprehensive and seminal work illuminates the complex and powerful role of trauma-specific metaphors as ‘portals of entry into the central impact of (psychic) trauma to self-processes’ at various points along the survivor's journey. Rich usage of clinical vignettes embedded in culture-specific context anchors real-world insight and application. A must read."

―Ray Scurfield, DSW, professor emeritus of social work at the University of Southern Mississippi

"Wilson and Lindy’s book Trauma, Culture, and Metaphor: Pathways of Transformation and Integration represents homage to trauma survivors’ healing journey back to reintegration. This book will be of particular interest to therapists and psychology faculty whose focus is on trauma recovery."

―Katharine Hahn Oh, PsycCRITIQUES

"I have often wondered if empathy can be taught; the authors have answered that for me with a resounding ‘yes!’ Trauma, Culture, and Metaphor is not a catalogue or system of techniques but a map for the development of compassion and, from that, true empathy, respect and even admiration for trauma survivors’ experiences. "

―Robert McMackin, EdD, codirector of Lemuel Shattuck Hospital Psychology Service, Boston

About the Author

John P. Wilson, PhD, is professor of psychology at Cleveland State University, a Fulbright scholar, and a widely recognized expert on PTSD. He is co-founder and past president of the International Society for Traumatic Stress Studies (ISTSS), a diplomate and fellow of the American Academy of Experts in Traumatic Stress, and a fellow of the American Institute of Stress.

Jacob D. Lindy, MD, is a clinical professor in the department of psychiatry at the University of Cincinnati College of Medicine and a training and supervising analyst at the Cincinnati Psychoanalytic Institute.

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Senin, 20 April 2015

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The Rich World and the Impoverishment of Education: Diminishing Democracy, Equity and Workers' Rights (Routledge Studies in Education and N

Advancing a powerful critique of neoliberalized education in many of the rich countries of the world (USA, Canada, Finland, Greece, Israel, Japan, England and Wales, and others), the chapters in this book, written by an international array of acclaimed and emerging radical educators and policy analysts, critically examine and evaluate:

  • What neoliberal changes have taken place (e.g., privatization, vouchers, charter schools, weakening of democratic control of schools, setting up markets in schools and retreating from the comprehensive school principle, commercialization of education, new public managerialism in education)?

  • What are the impacts of these changes on access and equal opportunities, on democracy and critical thinking, and on the rights, pay and conditions of teachers and ancillary/support staff?

  • Sales Rank: #13140492 in Books
  • Published on: 2008-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .75" l, 1.10 pounds
  • Binding: Hardcover
  • 290 pages

About the Author

Dave Hill is Professor of Education Policy at the University of Northampton, England, and Chief Editor of the Journal for Critical Education Policy Studies, online at www.jceps.com. He is Routledge Series Editor for Education and Neoliberalism and for Education and Marxism. He is a Socialist political activist, former Labour Parliamentary candidate, Labour Council Group Leader, and trade union regional leader.

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Sabtu, 18 April 2015

^ Download PDF Prison Labor in the United States: An Economic Analysis (New Political Economy), by Asatar Bair

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This book is the only comprehensive analysis of contemporary prison labor in the United States. In it, the author makes the provocative claim that prison labor is best understood as a form of slavery, in which the labor-power of each inmate (though not their person) is owned by the Department of Corrections, and this enslavement is used to extract surplus labor from the inmates, for which no compensation is provided. Other authors have claimed that prison labor is slavery, but no previous study has made a rigorous argument based on a systematic analysis of the flows of surplus labor which take place in the various ways prison slavery is organized in the US prison system, nor has another study systematically examined ‘prison household’ production, in which inmates produce the goods and services necessary to run the prison, nor does another work discuss state welfare in prisons, and how this affects prison labor. The study is based on empirical findings gathered by the author’s direct observation of prison factories in 28 prisons across the country. This book offers new insights into the practice of prison labor, and should be read by all serious students of American society.

  • Sales Rank: #1695058 in Books
  • Published on: 2007-07-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .69" w x 6.36" l, .90 pounds
  • Binding: Hardcover
  • 216 pages

About the Author

Asatar Bair is a professor of economics and statistics at the City College of San Francisco. His research interests include the economics of crime and punishment, class theory, monetary economics, international trade, and economic philosophy and methodology. He is interested in the intersection between economics and self-realization; he serves as a teacher for the Institute for Applied Meditation.

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Blues: The Basics, by Dick Weissman

Blues: The Basics offers a concise introduction to a century of the blues. Organized chronologically, it focuses on the major eras in the growth and development of this popular musical style. Material includes:

  • a definition of the blues and the major genres within it
  • key artists such as Ma Rainey, Bessie Smith, Robert Johnson and Blind Lemon Jefferson
  • key recordings

Complete with timelines and suggestions for further investigation, this fascinating overview is ideal for students and interested listeners.

  • Sales Rank: #2101929 in Books
  • Published on: 2004-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.84" h x .56" w x 5.30" l, .58 pounds
  • Binding: Paperback
  • 224 pages

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0 of 1 people found the following review helpful.
... for one of my classes and I was very happy that I did that
By Jomari
Purchased the E book for one of my classes and I was very happy that I did that. The book was with me everywhere I went, I could just pull out my phone and read. The content was actually pretty good too. It really covered the history of the blues, spanning from the beginning til now.

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Jumat, 17 April 2015

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Space, Difference, Everyday Life: Reading Henri LefebvreFrom Routledge

In the past fifteen years, Henri Lefebvre’s reputation has catapulted into the stratosphere, and he is now considered an equal to some of the greats of European social theory (Bourdieu, Deleuze, Harvey). In particular, his work has revitalized urban studies, geography and planning via concepts like; the social production of space, the right to the city, everyday life, and global urbanization. Lefebvre’s massive body of work has generated two main schools of thought: one that is political economic, and another that is more culturally oriented and poststructuralist in tone. Space, Difference, and Everyday Life merges these two schools of thought into a unified Lefebvrian approach to contemporary urban issues and the nature of our spatialized social structures.

  • Sales Rank: #153372 in Books
  • Published on: 2008-01-27
  • Released on: 2008-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .78" w x 6.00" l, 1.05 pounds
  • Binding: Paperback
  • 344 pages

About the Author

Kanishka Goonewardena was trained as an architect in Sri Lanka and now teaches urban design and critical theory at the University of Toronto. He is working on two books, The Future of Planning at the "End of History" (forthcoming from Routledge) and The Urban Sensorium: Space, Ideology and the Aestheticization of Politics, exploring the making of cities, capitalism, and ideology.

Stefan Kipfer teaches urbanization, urban politics, and planning in the Faculty of Environmental Studies, York University, Toronto. Informed by urban social theory, especially Henri Lefebvre, Frantz Fanon, and Antonio Gramsci, his research is focused on comparative politics, restructuring and colonization in metropolitan regions.

Richard Milgrom teaches community design and urban planning processes in the Department of City Planning at the University of Manitoba. Based on his experiences as an architect and social justice activist his courses encourage direct involvement with communities. His research focuses on participatory design in culturally diverse environments.

Christian Schmid is lecturer for urban sociology in the Department of Architecture ETH Zürich and senior researcher at ETH Studio Basel, Switzerland. He is the author of Stadt, Raum und Gesellschaft: Henri Lefebvre und die Produktion des Raumes, a leading work on Henri Lefebvre, as well as numerous publications on urban politics, social movements, regulation theory and urban social theory.

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Kamis, 16 April 2015

~~ Download Global Television Formats: Understanding Television Across BordersFrom Routledge

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Global Television Formats: Understanding Television Across BordersFrom Routledge

Winner of the 2013 SCMS Best Edited Collection Award

For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global Television Formats revolutionizes television studies by de-provincializing its approach to media globalization. It re-examines dominant approaches and their legacies of global/local and center/periphery, and offers new directions for understanding television’s contemporary incarnations.

The chapters in this collection take up the format phenomena from around the globe, including the Middle East, Western and Eastern Europe, South and West Africa, South and East Asia, Australia and New Zealand, North America, South America, and the Caribbean. Contributors address both little known examples and massive global hits ranging from the Idol franchise around the world, to telenovelas, dance competitions, sports programming, reality TV, quiz shows, sitcoms and more. Looking to global television formats as vital for various cultural meanings, relationships, and structures, this collection shows how formats can further our understanding of television and the culture of globalization at large.

  • Sales Rank: #2019092 in Books
  • Published on: 2011-11-25
  • Released on: 2012-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .92" w x 5.98" l, .0 pounds
  • Binding: Paperback
  • 408 pages

Review

"An engrossing and highly stimulating collection that provides critical new bearings for television, cultural and globalisation studies in the second decade of the new millennium. The authors offer a highly nuanced and suggestive re-negotiation of the global/local dichotomy that has bedeviled media studies in the past. This is a critically thoughtful and robust challenge to recent scholarly orthodoxies about what is happening to world television. A magisterial collection of critical insights that dares the student and teacher to re-examine what they are seeing on television now." ―Albert Moran, Professor of Screen Studies, Griffith University, Brisbane, Australia

"This extraordinary anthology shows how format TV is transforming the look, feel, and appeal of television in societies around the world. These essays help to expand our understanding of what a format is and how it works, both globally and locally, drawing fascinating connections between commerce, creativity, and the everyday lives of viewers." ―Michael Curtin, Mellichamp Chair of Global Studies, University of California, Santa Barbara

"...the collection...proves television studies to be a still relevant, fruitful and highly contentious field of enquiry for understanding entangled media environments in the 21st century. Especially the accelerated circulation of television formats illustrates contemporary layers of global, transnational, national, and cultural connections... the edition provides a useful and important academic overview and is to be recommended to all those interested in television formats." ―Anne Grüne, Global Media Journal: German Edition

From Media, Culture & Society: "This edited collection argues formats are a 'highly contextualised study of television as a global system.' For this idea alone, the book should be read. It offers chapters from a range of researchers in television economics, policy, production and form, that address the situated nature of formats as they exist as ideas, products and services, and as they are produced and understood in specific countries and cultures....the book...calls for the end of television research that seems to ignore the vibrant and complex development in global formats across a range of media"--Annette Hill, Lund University, Sweden

From the Journal of Communication: "[Global Television Formats] is eminently useful, well-edited, transparently organized and overall a good read without any weak links. Not only does it thoroughly analyze phenomena crucial to grasping television’s globalization but it also retroactively globalizes the history of television, creating helpful models for subsequent analyses." ―Anikó Imre, Associate Professor, University of Southern California

From the Global Media Journal: "Readers will discover under its broad thematic umbrella a host of valuable data and informed commentary. With the decline of the top-down model of US cultural imperialism now broadly accepted, this book offers an invaluable road map to a new media landscape that is more complex than scholars have previously acknowledged." ―Paul Julian Smith, Distinguished Professor, Graduate Center of City University of New York

About the Author

Tasha Oren is an Associate Professor of English and Media Studies, and is the Coordinator of the Media, Cinema, and Digital Studies track at the University of Wisconsin-Milwaukee.

Sharon Shahaf is an Assistant Professor in the Department of Communication at Georgia State University.

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